The recording of the album and the film took place during three nights of concerts at New York's Madison Square Garden, during the band's 1973 North American tour. All songs were recorded by Eddie Kramer using the Wally Heider Mobile Studio truck, and later mixed at Electric Lady Studios in New York and Trident Studios in London.
Led Zeppelin, The Song Remains The Same (CD 2) full album zip
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The surviving band members oversaw the remixing and remastering of the original release, and The Song Remains the Same soundtrack album was reissued on CD on 20 November 2007. This coincided with the re-issue of the film, released on HD-DVD, Blu-ray and DVD. The new version of the soundtrack included six songs that were not on the original album release: "Black Dog", "Over the Hills and Far Away", "Misty Mountain Hop", "Since I've Been Loving You", "The Ocean" and "Heartbreaker", plus new liner notes by Cameron Crowe.
With the 2007 re-release of both the album and film, the songs were synchronised so that the full set-list from the concerts was available on both, with each song mixed the same way. Kevin Shirley, who worked on How The West Was Won, was involved in the mixing.[3]
The album benefited from two band members installing studios at home, which allowed them to develop more sophisticated songs and arrangements and expand their musical style. Several songs subsequently became fixtures in the group's live set, including "The Song Remains the Same", "The Rain Song" and "No Quarter". Other material recorded at the sessions, including the title track, was shelved and released on the later albums Physical Graffiti and Coda. All instruments and vocals were provided by the band members Robert Plant (vocals), Jimmy Page (guitar), John Paul Jones (bass, keyboards), and John Bonham (drums). The album was produced by Page and mixed by Eddie Kramer.
Some songs from the album had initially been tried out in earlier sessions, such as "No Quarter", which was first attempted during a session at Headley Grange Estate, in East Hampshire.[8] Both guitarist and producer Jimmy Page and bassist / keyboardist John Paul Jones had installed home studios, which allowed them to arrive at Stargroves with complete compositions and arrangements.[6]
Page's home studio used some of the equipment from Pye Mobile Studios, which had been used to record The Who's 1970 live album Live at Leeds.[9] Because of his home studio, he was able to present a complete arrangement of "The Rain Song", including non-standard guitar tunings and a variety of dynamics, and "Over the Hills and Far Away", featuring multiple guitar parts. Meanwhile, Jones had developed a new arrangement of "No Quarter". Once the group were settled in Stargroves, they composed the other songs through jam sessions together. Further recording took place at Olympic Studios in May, and during the band's 1972 North American tour additional recording sessions were conducted at Electric Lady Studios in New York.[6] Some songs which were recorded from these various sessions did not make it onto Houses of the Holy. Some of them were released on later albums. A series of rock 'n' roll covers, including songs that appeared on Elvis Presley's Elvis' Golden Records, were recorded at Electric Lady Studios, which remain unreleased.[6]
"No Quarter" was composed by Jones. An early arrangement of the song was attempted for their fourth album, but abandoned. Jones reworked the track to add acoustic and electric piano, and various synthesizers. The track quickly became a live favourite, and was featured at every show from 1973 through 1979, providing Jones with an extended solo showcase in the middle, and a jam session with a variety of different styles. Plant revived the song for his 1990 tour, and it was performed by Page and Plant in 1994. Jones performed a solo instrumental performance on tour in 1999, and Plant performed it solo again in 2005. It was part of the set at the Ahmet Ertegun Tribute Concert in 2007.[16][17]
This was Led Zeppelin's final studio release on Atlantic Records before forming their own label, Swan Song Records, in 1974, which would be distributed by Atlantic.[33] It was also the only Led Zeppelin album that contained complete printed lyrics for each song.[34]
"The epic scale suited Zeppelin: They had the largest crowds, the loudest rock songs, the most groupies, the fullest manes of hair. Eventually excess would turn into bombast, but on Houses, it still provided inspiration."
In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau appraised Houses of the Holy favourably. While mocking the solemnity of "No Quarter" and finding some tracks derivative of previous albums, he found side one "solid led" with "sprung rhythm" and a "James Brown tribute/parody/ripoff" in "The Crunge" that complements the second side's "two amazing, well, dance tracks" in "Dancing Days"'s "transmogrified shuffle" and the reggae of "D'yer Mak'er".[26] "Throughout the record, the band's playing is excellent," wrote AllMusic's Stephen Thomas Erlewine, "making the eclecticism of Page and Robert Plant's songwriting sound coherent and natural."[25]
At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the reissue received an average score of 98, based on nine reviews, indicating "universal acclaim".[46] Consequence of Sound writer Kristofer Lenz said, "The remastering of this album is a blessing to the careful compositions and mannered performances throughout the record."[11] "Houses of the Holy might be Zeppelin's most impressive album on a purely sonic level," wrote Pitchfork's Mark Richardson, "and this particular remaster reinforces that notion." He was disappointed, however, by the bonus disc of alternate mixes, which merely provide "a chance to hear familiar performances in familiar songs in a way that sounds slightly unfamiliar".[49] 2ff7e9595c
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